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New Views on R. Buckminster Fuller
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Contents
1 Contributors
2 Preface
3 Introduction
4 Paper Mausoleum: The Archive of R. Buckminster Fuller
4.1 Organization of the Fuller Archive
4.2 Origins of the Archive
4.3 The Archive as a Support
4.4 Personality of the Archive
5 1927, Bucky’s Annus Mirabilis
5.1 I
5.2 II
6 R. Buckminster Fuller: America’s Last Genuine Utopian?
6.1 Fuller as Utopian
7 Thinking and Building: The Formation of R. Buckminster Fuller’s Key Concepts in ‘‘Lightful Houses’’
7.1 I
7.2 II
7.3 III
7.4 IV
7.5 V
7.6 VI
7.7 VII
8 ‘‘Spirit House’’ and ‘‘Steppenwolf’’ Avant-Garde: American Origins in the Dymaxion House Concept
9 Energy in the Thought and Design of R. Buckminster Fuller
9.1 I
10 Necessary Beauty: Fuller’s Sumptuary Aesthetic
11 Backyard Landing: Three Structures by Buckminster Fuller
11.1 I
11.2 II
11.3 Between Nuclear Holocaust and Consumer Cornucopia
11.4 Comprehensive Design as a Way of Life
11.5 Comprehensive Design and the Politics of Consciousness
12 Fluid Geographies: Politics and the Revolution by Design
12.1 Free Press
12.2 War as Extension of Politics
12.3 Domes
12.4 Utopia or Oblivion?
13 Fuller’s Futures
13.1 Fuller’s Place
13.2 World Games and Their Rules
14 Notes
Index
New Views on R. Buckminster Fuller
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New Views on R. Buckminster Fuller New Views on R. Buckminster Fuller